site: reviews — Japanese Anatomical Woodblock Prints, ScreenFloat, Frozen Polygon Waves (graduate from finds)

This commit is contained in:
2026-07-25 02:11:36 -04:00
parent 778645385a
commit 2e9ff569b2
11 changed files with 123 additions and 1 deletions
@@ -3,6 +3,7 @@ name: "Frozen Polygon Waves"
subtitle: "Baltic Sea ice cracked into a mosaic, still moving with the swell beneath it"
date: 2026-07-25
shortlist: true
promotedTo: frozen-polygon-waves
link: "https://www.youtube.com/watch?v=35S6IM_aQ5Q"
linkText: "youtube.com/@northlandscapes"
source: "Kottke.org"
Binary file not shown.

Before

Width:  |  Height:  |  Size: 207 KiB

After

Width:  |  Height:  |  Size: 1.2 MiB

@@ -6,9 +6,10 @@ shortlist: true
link: "https://calisphere.org/item/ark:/13030/hb9q2nb8tf/"
linkText: "calisphere.org"
source: "Open Culture"
promotedTo: japanese-anatomical-woodblock-prints
topics: [history-and-archives, design-and-art]
tags: [ukiyo-e, anatomy, japan, woodblock-prints]
description: "A 19th-century ukiyo-e print, Inshoku Yojo Kagami, staffs the human digestive system with tiny workers — scholars, stokers, and two very unlucky gatekeepers."
---
Utagawa Kunisada's Inshoku Yojo Kagami ("Mirror of the Physiology of Drinking and Eating") turns a man's dinner into an org chart: little figures scurry around a pool wrapped in intestines, stoke a fire under the heart, and consult a scholar with reference books on hand. Two lonely posts, guarding the "urine gate" and the "feces gate," are surely the worst jobs in the body's economy. UCSF's Japanese Woodblock Print Collection has the full-resolution scan.
Inshoku Yojo Kagami ("a model for a healthy diet," 1855) turns a man's dinner into an org chart: little figures scurry around a pool wrapped in intestines, stoke a fire under the heart, and consult a scholar with reference books on hand. Two lonely posts, guarding the "urine gate" and the "feces gate," are surely the worst jobs in the body's economy. Widely credited online to Kunisada; UCSF's own catalog names the obscurer Utagawa Yoshitsuna.
@@ -6,6 +6,7 @@ shortlist: true
link: "https://eternalstorms.at/ScreenFloat/"
linkText: "eternalstorms.at"
source: "TidBITS"
promotedTo: screenfloat
topics: [macos-apps, productivity]
tags: [screenshots, menu-bar, mac, utility]
description: "A Mac screenshot utility, now at version 2.3.9, that keeps captures floating above every other window and full-screen space, backed by a searchable Shots Browser with iCloud sync, redaction, and non-destructive annotation."
Binary file not shown.

After

Width:  |  Height:  |  Size: 286 KiB

@@ -0,0 +1,26 @@
---
name: "Frozen Polygon Waves"
subtitle: "Baltic Sea ice cracked into a mosaic, still moving with the swell beneath it"
date: 2026-07-25
category: video
topics: [design-and-art, outdoors-and-nature]
tags: [ice, baltic-sea, drone-video, jan-erik-waider]
link: "https://www.youtube.com/watch?v=35S6IM_aQ5Q"
linkText: "youtube.com/@northlandscapes"
description: "Drone footage of cracked-but-unbroken Baltic Sea ice off northern Germany, undulating in polygon slabs with the swell beneath it."
source: "Kottke.org"
fromFind: frozen-polygon-waves
---
import { Image } from 'astro:assets';
import hero from './hero.jpg';
<Image src={hero} alt="Aerial drone view of teal-green Baltic Sea ice cracked into long polygon slabs, fine white fracture lines running between them." />
> Photographer Jan Erik Waider flew a drone over a stretch of Baltic Sea ice that had cracked into a mosaic of slabs without coming apart — each plate still rocking, independently, on the swell moving beneath it.
Waider shoots as Northlandscapes, usually from much further afield — a decade split between Iceland and Norway, chasing what he calls "the art and design that water can produce organically in hostile conditions." This one needed no expedition: a cold snap laid a thin, fresh skin of ice over a stretch of the Baltic coast in northern Germany, and before it could thicken, a swell moved back in underneath. The ice had no give left to bend as a single sheet, so it cracked instead — into a field of interlocking polygons that keep tilting with each pulse of the water, plate by plate, without ever fully separating.
What's on camera fits a real, named category of sea ice. Glaciologists call it ice rind: a brittle, shiny crust under two inches thick that only forms on very calm water of low salinity — a condition the Baltic meets easily, since its surface runs at roughly a fifth the open ocean's salinity, diluted by more than two hundred rivers and barely flushed by the North Sea. The standard definition, per the U.S. National Snow and Ice Data Center's glossary, is that ice rind is "easily broken by wind or swell, commonly breaking into rectangular pieces" — which is close to the choreography on screen: the sheet doesn't drift into loose floes, it keeps its shape and rocks, seam by seam.
Waider filmed it in the soft light of a winter evening — "fine crack lines, and shifting tones from warm gold to deep green," as he described it, turning "a fleeting moment into a study of structure, depth, and calm." Colossal picked the footage up in March; Kottke surfaced it again for us in July, saying he could watch it for hours. The 4K original is worth the resolution: at a distance the ice reads as texture, and only up close do the cracks resolve into a field of separate, independently rocking plates.
Binary file not shown.

After

Width:  |  Height:  |  Size: 1.2 MiB

@@ -0,0 +1,28 @@
---
name: "Japanese Anatomical Woodblock Prints"
subtitle: "Tiny workers run the body like a village, one gate labeled 'urine'"
date: 2026-07-25
category: history
topics: [history-and-archives, design-and-art]
tags: [ukiyo-e, anatomy, japan, woodblock-prints]
link: "https://calisphere.org/item/ark:/13030/hb9q2nb8tf/"
linkText: "calisphere.org"
description: "An 1855 Japanese woodblock print staffs the digestive system with tiny workers — a fire-tending scholar in the heart, two guards posted at the 'urine gate' and 'feces gate' — usually credited online to Kunisada, though UCSF's own catalog names a far more obscure Utagawa artist."
source: "Open Culture"
fromFind: "japanese-anatomical-woodblock-prints"
---
import { Image } from 'astro:assets';
import hero from './hero.jpg';
<Image src={hero} alt="A Japanese woodblock print of a reclining man with his torso opened to reveal tiny figures at work inside his organs, surrounded by columns of dense text." />
> *Inshoku Yōjō Kagami* — a mirror of rules for eating and drinking — opens a reclining man's torso to reveal his own digestion as a fully staffed workshop: laborers hauling loads through the stomach, a scholar presiding over a fire in the heart, and two unenviable guards posted at the "urine gate" and the "feces gate."
Printed in color in 1855, the sheet rewards close looking more than most ukiyo-e: past the man's face, raised sake cup, and a plate holding a whole fish, his opened belly is a cross-section crawling with figures the size of insects, each one acting out a job an organ is actually doing — stoking, hauling, ferrying loads toward the exits. Dense columns of woodblock-printed text fill every gap the anatomy leaves open.
Open Culture credits the print to Utagawa Kunisada, ukiyo-e's most prolific 19th-century name — a claim that traces back to the design blog Spoon & Tamago and resurfaces at Hyperallergic. UCSF's own catalog record for this exact sheet says otherwise: the creator is listed as Utagawa Yoshitsuna, active 18481868, a far more obscure member of the same school. A rare-book dealer who separately sold the matching companion print backs that up, listing the artist under his other name, Ittosai. Even a 2006 Japanese anatomy-journal study of the pair hedges the Kunisada credit as merely "presumed," floating an anonymous "understudy at his shop" as the likelier hand — and a Harvard historian's essay on the same print skips attribution altogether, filing it as anonymous. The famous name is the one that stuck online; the print's own keeper doesn't back it.
The subject is a warning dressed as a diagram. It belongs to Japan's yōjō genre, health-regimen literature descended from Kaibara Ekiken's 1713 bestseller Yōjōkun — "the most widely read medical text in Japanese history" — which preached that food and qi must keep circulating or the body sickens. This print restages that advice as bureaucracy: overindulge, and the workers hauling waste toward those two gates fall behind, and the whole village backs up. A companion sheet, Bōji Yōjō Kagami, ran the same premise on a reclining woman, tallying a different appetite's toll.
UCSF holds both in its Japanese Woodblock Print Collection, more than 400 Edo-period prints acquired for the medical school's own teaching. Calisphere's item page, linked above, carries UCSF's scan and catalog record; the image here is a separate, higher-resolution public-domain scan from the National Library of Medicine, easier to read at full size.
Binary file not shown.

After

Width:  |  Height:  |  Size: 457 KiB

+28
View File
@@ -0,0 +1,28 @@
---
name: "ScreenFloat"
subtitle: "Screenshots that float above every window as a reusable shelf"
date: 2026-07-25
category: screenshots
topics: [macos-apps, productivity]
tags: [screenshots, menu-bar, mac, utility, redaction]
link: "https://eternalstorms.at/ScreenFloat/"
linkText: "eternalstorms.at"
description: "A Mac screen-capture utility, now at version 2.3.9, whose shots float above every window and full-screen Space, backed by a searchable Shots Browser with iCloud sync, face/barcode/text redaction, and non-destructive annotation. $17.99 one-time, direct or on the Mac App Store."
source: "TidBITS"
fromFind: "screenfloat"
---
import { Image } from 'astro:assets';
import hero from './hero.png';
<Image src={hero} alt="The ScreenFloat menu bar menu open above three floating shot windows on the desktop, with commands to gather, hide, and unhide floating shots." />
> A ScreenFloat capture doesn't land in a folder — it floats above whatever you do next, tagging along across full-screen apps and different Spaces, so a reference shot stays in view instead of getting buried behind the window you switched to.
Every capture opens as its own small floating window, pinned above everything else until you close it, hide it, or file it into the Shots Browser. The menu bar item tracks whatever's currently floating and can gather, hide, or unhide them in bulk — useful once you've got a half-dozen reference shots stacked on the desktop and need the clutter gone without losing track of any of them.
The Shots Browser is where captures actually live: a searchable, taggable library with star ratings, favorites, and smart folders that filter by rules like "contains barcodes" or "shot is floating." It syncs across Macs over iCloud and indexes into Spotlight, so a screenshot from six months ago on a different machine turns up in a system-wide search. Beyond stills, ScreenFloat records the screen with system and mic audio, exports GIFs, and trims recordings by dragging edit markers placed while recording.
The feature worth the price of admission is detection: ScreenFloat finds faces, barcodes, and recognized text in a shot and lets you redact any of them non-destructively — the redaction lifts back off later if you change your mind — or copy out an email address, phone number, or link it noticed without retyping it. It's not foolproof: the redaction panel ships with a confidence slider that trades false positives for misses, so a shot with fine print or an ID card at an angle is worth a second look, not blind trust in the auto-redact.
ScreenFloat is a one-time purchase — $17.99 direct from Eternal Storms or on the Mac App Store, with a free 28-day trial either way, and it's also in Setapp's subscription catalog. It needs macOS 12.3 Monterey, though a few features want Ventura or later. Version 2.3.9, out this week, is a hotfix for a crash the previous release introduced when exporting shots.