site: reviews — The House of David Bowie, Alexander Calder Chess Set, FlashFilter (graduate from finds)

src/content/find/2026/07/alexander-calder-chess-set/index.mdx

@@ -5,6 +5,7 @@ date: 2026-07-21
 shortlist: true
 link: "https://store.moma.org/products/alexander-calder-chess-set"
 linkText: "MoMA Design Store"
+promotedTo: alexander-calder-chess-set
 source: "MoMA Design Store"
 topics: [design-and-art, gadgets-and-toys]
 tags: [chess, calder, sculpture, giftable]

src/content/find/2026/07/flashfilter/index.mdx

@@ -5,10 +5,11 @@ date: 2026-07-21
 shortlist: true
 link: "https://flashfilter.app/"
 linkText: "flashfilter.app"
+promotedTo: flashfilter
 source: "Hacker News — Show HN"
-topics: [macos-apps, web-tools]
-tags: [accessibility, epilepsy, open-source, utility]
-description: "FlashFilter is a GPU-accelerated desktop filter that softens or removes flashing and strobing content in games, video, and the web before it renders."
+topics: [macos-apps, productivity]
+tags: [accessibility, epilepsy, cross-platform, utility]
+description: "FlashFilter is a GPU compositing layer for Windows, Mac and Linux that analyses every frame and dampens flashing or strobing content before it reaches the display."
 ---
 
-FlashFilter sits between the GPU and the screen and softens or strips flashing content in whatever is already playing — a game, a video, a page that autoplays something violent — rather than asking each app to behave. For people with photosensitive epilepsy, the usual advice is to avoid the trigger, which is unworkable when the trigger arrives unannounced mid-scroll. This intercepts it instead.
+FlashFilter sits between the desktop and the display as a GPU compositing layer, analysing every frame and smoothing flashes in whatever is already playing — a game, a video, a page that autoplays something violent — rather than asking each app to behave. Crucially it adds no dark overlay and no colour tint: only the flash is damped, so the rest of the picture is untouched. For people with photosensitive epilepsy the usual advice is to avoid the trigger, which is unworkable when it arrives unannounced mid-scroll.

src/content/find/2026/07/house-of-david-bowie-berlin/index.mdx

@@ -5,6 +5,7 @@ date: 2026-07-21
 shortlist: true
 link: "https://www.atlasobscura.com/places/the-house-of-david-bowie"
 linkText: "Atlas Obscura"
+promotedTo: house-of-david-bowie-berlin
 source: "Atlas Obscura"
 topics: [travel-and-places, music-and-sound]
 tags: [berlin, david-bowie, music-history, architecture]

src/content/reviews/alexander-calder-chess-set/index.mdx

@@ -0,0 +1,30 @@
+---
+name: "Alexander Calder Chess Set"
+subtitle: "Calder's own 1944 chess set, 3D-scanned from the one he kept at home"
+date: 2026-07-21
+category: design
+topics: [design-and-art, gadgets-and-toys]
+tags: [chess, calder, sculpture, giftable]
+link: "https://cahiersdart.com/products/calder-chess-set"
+linkText: "cahiersdart.com"
+description: "Cahiers d'Art and the Calder Foundation milled a facsimile of Calder's 1944 chess set from high-resolution 3D scans of the original — red and blue instead of black and white, and a queen taller than the king."
+source: "MoMA Design Store"
+fromFind: alexander-calder-chess-set
+---
+
+import { Image } from 'astro:assets';
+import hero from './hero.jpg';
+
+<Image src={hero} alt="Alexander Calder's chess set: turned wooden pieces in red and blue, the queen taller than the king, arranged on a board." />
+
+> In 1944 Calder designed a chess set for a show that also hung Duchamp, Ernst and Tanguy — then kept this one for himself and played on it at home in Roxbury. Cahiers d'Art and the Calder Foundation have milled a facsimile from high-resolution scans of the original.
+
+The exhibition was *The Imagery of Chess*, at the Julien Levy Gallery in New York, 12 December 1944 to 31 January 1945 — a group show of paintings, sculpture, newly designed chessmen, music and miscellany, which is exactly the sort of billing that decade produced. Calder showed two sets. The original pieces are catalogued by the Calder Foundation simply as wood and paint, on an eighteen-inch board, which undersells what he did with them.
+
+Two decisions make the set. The first is colour: red and blue rather than black and white, which quietly removes the built-in hierarchy of the standard set — no light side, no dark side, no side that moves first because it is the lighter one. The second is proportion. Calder's queen stands taller than his king, and the knight is oversized past any structural need. On a board where the queen is the most powerful piece and the king the one you are merely protecting, making the king the smaller figure is less a joke than a correction, and it is visible from across a room.
+
+The reissue is a collaboration between Cahiers d'Art and the Calder Foundation. Rather than working from drawings or photographs, they scanned the physical pieces at high resolution and milled the reproductions from solid wood to the original dimensions — the stated aim being to keep the texture and scale of handmade objects rather than produce a clean modern interpretation of them. That distinction matters here: Calder's originals are turned, slightly irregular things, and a tidied-up version would have lost the thing that makes them read as sculpture.
+
+The honest caveats. It is $2,500, which puts it in the territory of an art object you happen to be able to play on rather than a chess set you happen to like the look of — Cahiers d'Art describes it as "a facsimile of a rarefied art object" and that is the right framing. It is a facsimile, not an original, and it is not the historically standard shape, so a serious player will find the pieces harder to read at speed than a Staunton set. And the provenance detail that MoMA leads with — that this is specifically the set Calder kept for his own play at Roxbury, Connecticut, rather than one of the others he designed that decade — comes from the retailers rather than the Foundation's own catalogue entry, which records only the exhibition history.
+
+None of that changes what is on the board. It is in stock, it is playable, and the queen is taller than the king.

src/content/reviews/flashfilter/index.mdx

@@ -0,0 +1,30 @@
+---
+name: "FlashFilter"
+subtitle: "A GPU screen filter that catches strobing before it reaches your eyes"
+date: 2026-07-21
+category: interface
+topics: [macos-apps, productivity]
+tags: [accessibility, epilepsy, cross-platform, utility]
+link: "https://flashfilter.app/"
+linkText: "flashfilter.app"
+description: "FlashFilter runs as a GPU compositing layer between desktop and display, analysing every frame and damping flashes in place — no dark overlay, no colour tint, on Windows, Mac and Linux."
+source: "Hacker News — Show HN"
+fromFind: flashfilter
+---
+
+import { Image } from 'astro:assets';
+import hero from './hero.png';
+
+<Image src={hero} alt="FlashFilter's site graphic: a screen filter for photosensitive epilepsy." />
+
+> Advice for photosensitive epilepsy amounts to avoiding the trigger, which fails the moment something autoplays. FlashFilter sits between the desktop and the display, analyses every frame, and damps the flash in place — leaving the rest of the picture alone.
+
+The existing options are all bad in the same way. Browser extensions only cover the browser. Reduced-motion settings only cover apps that respect them. A dark overlay or a colour tint dims the flash by dimming everything, which is why people stop using them. And none of it helps with a game, a video call, or a clip somebody sends you.
+
+FlashFilter takes the other approach: it runs as a GPU compositing layer between your desktop and your display, so it sees the finished frame regardless of which application produced it. It analyses each one for flashing and sudden brightness spikes and, depending on the setting, dampens or removes them in real time. The key claim — and the one that makes it worth installing rather than reading about — is that nothing else changes. No overlay, no tint. The flash is what gets smoothed; the rest of the picture is left as it was.
+
+It runs on Windows, Mac and Linux, using each platform's native graphics stack: DirectX 12, Metal, Vulkan. Linux support is limited to Wayland compositors. Because the work happens on the GPU within a fraction of a frame, the developer's position is that it will not cost you frame rate or battery, though the site is upfront that the cost varies with hardware and that the different filtering algorithms trade performance against quality. Everything happens locally — frames never leave the machine, and the only account detail is the sign-in carrying your licence.
+
+Two things to know before you get attached. It is free right now because it is a public beta that opened on 30 June and runs free through 25 August, no card required; after that it moves to a subscription, and the site does not yet say what that costs. And the developer, Idrith, states the limitation plainly on the page: FlashFilter is not a medical device and is not a substitute for medical advice — it reduces flashing that may trigger symptoms, but it cannot guarantee that all of it is removed.
+
+That disclaimer is the reason to trust the rest of it. This is a category where overpromising is cheap and the consequences land on somebody having a seizure. A tool that says "we make this materially safer, we do not make it safe" is describing what software can actually do about a problem the whole desktop stack has spent thirty years ignoring.

src/content/reviews/house-of-david-bowie-berlin/index.mdx

@@ -0,0 +1,32 @@
+---
+name: "The House of David Bowie"
+subtitle: "Hauptstraße 155, where strangers still tuck roses into the iron door"
+date: 2026-07-21
+category: places
+topics: [travel-and-places, music-and-sound]
+tags: [berlin, david-bowie, music-history, architecture]
+link: "https://www.atlasobscura.com/places/the-house-of-david-bowie"
+linkText: "Atlas Obscura"
+description: "The Schöneberg tenement where David Bowie lived from 1976 to 1978, above an auto-parts shop, with Iggy Pop in the back courtyard — an ordinary Berlin address kept in flowers by strangers every January."
+source: "Atlas Obscura"
+fromFind: house-of-david-bowie-berlin
+---
+
+import { Image } from 'astro:assets';
+import hero from './hero.jpg';
+
+<Image src={hero} alt="A five-storey Berlin apartment building at Hauptstraße 155 in Schöneberg, its ground floor occupied by shopfronts, with a stone archway entrance at street level." />
+
+*Hauptstraße 155, Berlin-Schöneberg. Photo by Detmar Owen, [Wikimedia Commons](https://commons.wikimedia.org/wiki/File:Hauptstra%C3%9Fe_155_Berlin-Sch%C3%B6neberg.jpg) — CC BY-SA 3.0.*
+
+> David Bowie spent 1976 to 1978 in a seven-room flat on the first floor of an unremarkable Schöneberg tenement, above an auto-parts shop. The building is still unremarkable. Twice every January, strangers push fresh roses into the iron flowers on its door.
+
+The address is Hauptstraße 155, and the first thing to say about it is that there is nothing to see. No museum, no gift shop, no restored interior — it is a working residential block, flanked by a tattoo parlour and a physiotherapy clinic, its entrance a cast cement archway of the sort Berlin put up by the hundred during the Gründerzeit. The oak door is handsome and defaced in roughly equal measure: cast-iron floral ornaments, several hastily sprayed tags. Its lock still has two keyholes set at ninety degrees to each other, made for the pass-through keys of the early twentieth century, a design meant to force tenement residents to lock up behind themselves.
+
+What makes it worth standing in front of is the flowers. Real roses turn up wedged into the metal petals of that ironwork, left on 8 January or 10 January — his birthday, and the day he died — by people who mostly do not know each other. By late February they are withered and still there. In 2016 the city added a memorial plaque beside the entrance, which is the official gesture; the roses are the unofficial one, and they are the reason the building reads as a site rather than a stop.
+
+Bowie came here in 1976 to get out of Los Angeles and off cocaine, which is the part of the story the plaque does not carry. His assistant Coco Schwab found the flat and shared it; she painted the walls white, turning the place into a private gallery for the bleak canvases he was producing at the time. Iggy Pop moved in with him and did not last long in the main apartment — the accounts agree he was turned out over food taken from the fridge — after which he took a flat of his own in the back courtyard of the same building. Two of the most influential musicians of the decade, then, in one Schöneberg address, one of them out by the bins.
+
+Worth being precise about what actually happened here, because the shorthand oversells it. This period produced the run of records known as the Berlin Trilogy, but only *"Heroes"* was recorded in Berlin proper, at Hansa by the Wall. *Low* was made largely at Château d'Hérouville in France and mixed at Hansa; *Lodger* was recorded in Montreux and New York after Bowie had already left. Hauptstraße 155 is not a studio and never was. It is where he lived while the work was going on — where he cycled to the studio, drank at the neighbourhood bars, and was, by every account including his own, left alone by Berliners with better things to do than notice him.
+
+That last fact is the one the building still demonstrates. Nobody has turned it into anything. You can stand at the door, look at the roses somebody left in January, and then get out of the way of a resident with shopping.